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Endpaper |
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Title |
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Foreword |
| I. |
Eugène Ysaye
The Tools of Violin Mastery |
| II. |
Leopold Auer
A Method without Secrets |
| III. |
Eddy Brown
Hubay and Auer: Technic: Hints to the Student |
| IV. |
Mischa Elman
Life and Color in Interpretation. Technical Phases |
| V. |
Samuel Gardner
Technic and Musicianship |
| VI. |
Arthur Hartmann
The Problem of Technic |
| VII. |
Jascha Heifetz
The Danger of Practicing Too Much.
Technical Mastery and Temperament |
| VIII. |
David Hochstein
The Violin as a Means of Expression |
| IX. |
Fritz Kreisler
Personality in Art |
| X. |
Franz Kneisel
The Perfect String Ensemble |
| XI. |
Adolfo Betti
The Technic of the Modern Quartet |
| XII. |
Hans Letz
The Technic of Bowing |
| XIII. |
David Mannes
The Philosophy of Violin Teaching |
| XIV. |
Tivadar Nachéz
Joachim and Léonard as Teachers |
| XV. |
Maximilian Pilzer
The Singing Tone and the Vibrato |
| XVI. |
Maud Powell
Technical Difficulties: Some Hints for the Concert Player |
| XVII. |
Leon Sametini
Harmonics |
| XVIII. |
Alexander Saslavsky
What the Teacher Can and Cannot Do |
| XIX. |
Toscha Seidel
How to Study |
| XX. |
Edmund Severn
The Joachim Bowing and Others |
| XXI. |
Albert Spalding
The Most Important Factor in the Development of an Artist |
| XXII. |
Theodore Spiering
The Application of Bow Exercises to the Study of Kreutzer |
| XXIII. |
Jacques Thibaud
The Ideal Program |
| XXIV. |
Gustav Saenger
The Editor as a Factor in "Violin Mastery" |
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Technical page |
