VIOLIN MASTERY
talks with master violinists and teachers
(Part of "Classical Music Sheets Library")

	Endpaper
	Title
	Foreword
I.	Eugène Ysaye The Tools of Violin Mastery
II.	Leopold Auer A Method without Secrets
III.	Eddy Brown Hubay and Auer: Technic: Hints to the Student
IV.	Mischa Elman Life and Color in Interpretation. Technical Phases
V.	Samuel Gardner Technic and Musicianship
VI.	Arthur Hartmann The Problem of Technic
VII.	Jascha Heifetz The Danger of Practicing Too Much. Technical Mastery and Temperament
VIII.	David Hochstein The Violin as a Means of Expression
IX.	Fritz Kreisler Personality in Art
X.	Franz Kneisel The Perfect String Ensemble
XI.	Adolfo Betti The Technic of the Modern Quartet
XII.	Hans Letz The Technic of Bowing
XIII.	David Mannes The Philosophy of Violin Teaching
XIV.	Tivadar Nachéz Joachim and Léonard as Teachers
XV.	Maximilian Pilzer The Singing Tone and the Vibrato
XVI.	Maud Powell Technical Difficulties: Some Hints for the Concert Player
XVII.	Leon Sametini Harmonics
XVIII.	Alexander Saslavsky What the Teacher Can and Cannot Do
XIX.	Toscha Seidel How to Study
XX.	Edmund Severn The Joachim Bowing and Others
XXI.	Albert Spalding The Most Important Factor in the Development of an Artist
XXII.	Theodore Spiering The Application of Bow Exercises to the Study of Kreutzer
XXIII.	Jacques Thibaud The Ideal Program
XXIV.	Gustav Saenger The Editor as a Factor in "Violin Mastery"
	Technical page

VIOLIN MASTERY

NEW YORK

FREDERICK A. STOKES COMPANY

PUBLISHERS

Copyright, 1919, by

Frederick A. Stokes Company